王牌大玩家

那年..我看著她离去..
想留..已无能为力..
苦果..独自承担..

后来..我对著你疏离..
情动..却不能所动..
停留..只怕耽误伊人..

蜕变..宛如撕裂著身体..
疼痛..迎接破茧而出的自尊..

↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。 刚刚在粉丝团看到的消息

七店同庆TGI FRIDAYS西门餐厅重新开幕,6/10



明陞88









家裡没买咖啡机or咖啡壶那些的 但又蛮爱喝咖啡的

看力代它们有出一个冷泡咖啡 想买来喝喝看

但不确定是否一定要用专用的冷泡咖啡壶==a

这样是否要另外去买咖啡壶用???
心奴对九千胜产生了奇异的情愫 因为得不到 所以想一举毁灭
暴雨心奴认为自己是天使的眼泪所化
每当下雨时 他就会认为是上天在为他哭泣 哭的是自己还做得不够恶

爱与恨或许是两种截然不同的感情 但英国专家说 对大脑来说  二者或许情如手足
爱恨交织 爱得越深 痛得越深
研究后发现 控制浪漫的爱和愤怒的恨的神经回路都产生在大脑的同一部位 不过位处两端
这似乎就解释了为什麽人们在爱与恨到极点时会做出「英雄或魔鬼」般的行为来

查了一下资料

暴雨
指短时间内累积极大的降雨量的雨 数值大小依地理位置不同而有差异 暴雨往往造成灾害

奴的种类 分为三种
一 奴才 自知是奴而甘心为奴者
二 身奴 自知为奴却不情愿为奴
三 心奴 不知道不明白自己是奴 还以为自己也是主人
奴才最可恨 身奴最可悲 心奴最可怜
三种也可相混合 在同一人身上有所表现 成分多少而已


哈烧新偶像20130714暴雨心奴
暴雨心奴本命烈霏,小字心奴,他从小便是病魔缠身,他的父亲极为疼爱他,为了他的病不惜与恶魔交易,换得暴雨的生机,也因父亲的溺宠,让暴雨心奴养成了奇异的人格特质,他的独佔欲极强,个性阴狠狡诈,想要得要的便一定要得到。 两个生活小秘方

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青年朋友到日本边打工、边学日文的机会来了。张图腾领悟出来,Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 【百万首奖 总奖金350万 新竹县台湾漫画梦工场竞赛活动超级好消息 号召高手们加油加油~~】

倍受瞩目百万首奖、总奖金高达350万的「新竹县台湾漫画梦工场-原乡故事创意海选计画暨内湾梦之铁动漫竞赛」赛事小组日前宣布超级好消息,为使创作者有更充裕的时间产出更精采丰富且富涵内湾在地文化精神的原创作品,特别公佈度假签证制度换函手续」,双方同意自今年六月一日起正式实施,每年名额为台日双方各两千人。 就是月经后的一周,因为新陈代谢会在月经结束时开始上升
从月经结束到下次排卵开始的这段时间,进行体重管理的饮食和运动计画就会变得非常有效

排卵后,新陈代谢则会回归正常
所以建议你利用这个期间来增加运动,帮助提升 体重管理 的成果

侠肠无医新角色~会不会是某位在火山做SPA做到睡著的某人压~觉得很爱说大道理的影子~又哪剑
话说最近的剧情满不错的~满喜欢兵器乱世的剧情~不要神来神去的~有点无聊^^ 下礼拜就是老爸的六十大寿了,我想带老爸去吃大餐!我们家很少去餐厅吃饭,所以这次想让老爸换换口味!
我听同学说,王品集br />处处表现出不满的情绪。 咖啡跟美酒的相遇
是一种奇遇

在你表面的冷酷下
藏著   似乎不想让人发觉的神祕
矛盾的冰与热  在舌头缠绕  是细緻  

一杯咖啡  一个故事 一个品尝的人
编织出一段美丽的诗

剑湖山999轻松玩【学生独享专案】


上週经过王牌大玩家东区明曜百货时,发现有不少民众聚集试喝的活动~
走近看得知是厂商举行的试喝,先撇除试喝不说!

我有看到一个满酷的东西!!
广场上有架个 src="8026/7544096828_1822f63713_b.jpg"   border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。
↑November 11 2012
有一种跳房子的逗趣。



↑November 11 2012
绿色的牆壁有一种学校来著的氛围。



↑November 11 2012
是正港台湾货。



↑November 11 2012
人帅又有才华真好的陈菊米,"7343/8960900266_7740cbb8d0_z.jpg"   border="0" />
↑November 11 2012
假日无人的工厂,>


↑November 11 2012
好像幼稚园或安亲班才会有的一面牆,黑白的水泥涂鸦有一种安逸感。 />年轻人嘻嘻哈哈、打打闹闹惯了, 素还真刚出来都可以逼退 一页书了  千叶居然被北裂打假的  我觉得他故意隐藏实力

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